TASCAM Sonicview 16XP

TASCAM has a long history of high-quality digital mixers, culminating with the legendary DM-4800, a workhorse mixer that set a new standard. With TASCAM Sonicview, TASCAM has created an entirely new line of digital recording and mixing consoles that incorporate the latest technology and make it easy to see and control all of the parameters you want, when you want, with completely customizable touch screens and user-definable buttons, along with motorized faders and intuitive control software.

TASCAM Sonicview recording mixing consoles integrate beautifully with the rest of your system, thanks to built-in Dante networking, a 32-bit/96 kHz multi-channel USB audio interface, built-in multi-track SD recording*, and plenty of I/O. No-compromise audio quality, including 54-bit float-point FPGA mixing, combines with ample signal processing, an expansion slot for additional connectivity, and wireless remote control to make TASCAM Sonicview recording mixers a next-generation choice for touring, installed sound, recording studios, and broadcasting.

The Amazing VIEW

Truly the next generation in mixer user interfaces, the powerful intuitive TASCAM Visual Interactive Ergonomic Workflow (VIEW) system lets you quickly and easily configure the TASCAM Sonicview 16XP's two touch screens.

Thanks to the VIEW user interface, there are three different ways to view your settings, and each touch screen can be configured independently, so you can monitor and control any combination of settings you want, in whichever screens you want, whenever you want. For instance, you could monitor levels for eight channels of vocals on screen 1, while tweaking the parametric EQ on a drum submix on screen 2.

• To view the status of any eight adjacent channels at a glance, as you would see on vertical channel strips with an analog mixer, choose  Channel Strip View.
• In Module View, you can monitor and control any two sets of parameters for one single channel, including the compressor, graphic EQ, effects send, and more.
• Individual View is the ultimate in customized displays. View any functions for any channel, group of channels, and more—all on different screens, simultaneously. For instance, you could simultaneously monitor the output bus meter on screen 1, and monitor levels on important input channels on screen 2.

Module View

Module View lets you monitor and control any two sets of parameters simultaneously for one single channel.

High-end Audio Quality

TASCAM Sonicview delivers the finest audio performance in its class, thanks to a 54-bit float-point FPGA mixing engine; continuous, high-definition 32-bit/96 kHz sampling; and 32-bit analog-to-digital converters. The mixing engine's float-point processing makes it possible to flexibly change levels without compromising resolution and FPGA mixing engine make it possible to ensures ultra-low latency, even in analog-to-analog connections. The result is no-compromises performance, including with Dante networks and in-line monitoring systems.

Click for more on FPGA mixing engine, 54-bit float-point processing and 96kHz processing

Channel Control and Processing

There's much more to TASCAM Sonicview than meets the eye. Internally, TASCAM Sonicview recording mixers have a generous 40 mono channels, 2 stereo and 4 stereo FX return channels channels so you can fly in backing tracks to make a small praise band sound huge, accommodate additional physical audio inputs via the expansion slots for larger ensembles, manage sources from every part of a venue via the Dante network, and mix dozens of DAW tracks. Eight DCAs enable you to easily control groups of channels. The programmable layer keys select which custom combination of channels and output buses are controlled by the motorized faders.

Each input channel can use any or all of 11 processing functions, which can be independently set:

Built-in USB Audio Interface and Stereo Recording

TASCAM Sonicview's integrated 32-in/32-out USB audio interface makes it a first-rate front end for recording and broadcast studios, as well as for capturing live events. Record your choice of channel direct outs, flex buses, and the L/R main bus to your favorite DAW at up to 96 kHz with the same 32-bit precision used throughout the TASCAM Sonicview.

Built-in 32-track SD Recording too!

TASCAM Sonicview 16XP offers multiple ways to record. In addition to its integrated audio interface, the TASCAM Sonicview 16XP comes with a integrated IF-MTR32 multi-track recording card, enabling you to capture 32 channels directly to an SDXC card. The SD recorder supports simultaneous 32-channel punch-in/punch-out, pre-record, auto-record, and markers. Best of all, it automatically saves and closes the file every 60 seconds during recording to safeguard against data loss so you can let the recorder do it's job worry-free while you focus on mixing.

Remote Control and Offline Editing

Whether onstage, backstage, in a control room, or at the rear of a concert hall, you're always in full control of your TASCAM Sonicview 16XP recording mixer. Just connect a Wi-Fi router to the TASCAM Sonicview's Ethernet port and use free TASCAM Sonicview Control software for macOS, Windows, and iPadOS to manage your TASCAM Sonicview 16XP from virtually anywhere in the venue. Edit settings offline in advance so you're ready to go when a session or show begins, then make adjustments from the console or from the software.

Clear, Mistake-free Navigation

When you're mixing a show, broadcast, or crucial recording session, you can't afford to hit the wrong button or grab the wrong control. TASCAM Sonicview's mixing surface makes it easy to see at a glance what you're controlling, even in a dark concert hall. Each channel strip includes a channel-name LCD with a full-color LED. The User keys feature full-color LEDs, so you can group each input source and function by color and view them easily. The Solo and Channel Select keys have distinctive shapes, and the Mute key is guarded with a cap. With these features and the customizable touch panels, you always know where you are and what you're controlling.