SERIES 208i
20-IN/8-OUT USB Audio/MIDI Interface
The new TASCAM SERIES audio interface family provides professional quality.
Expandability, both internal and bundled effects processing, internal mixing, external software control, and more for studio, home, and live recording. With a new look, including an angled tabletop design and large, easy-to-grab knobs, TASCAM sets a new standard for mid-grade audio interfaces.
- Four transparent, natural-sounding, ultra-low noise TASCAM Ultra HDDA mic preamplifiers
- Two optical S/MUX expansion ports that accept up to 16 channels of audio input (20 total inputs)
- 8 ¼-inch analog line outputs for versatile monitoring and up to 7.1 surround audio
- Built-in effects: reverb, compressor, four-band EQ
- Powerful 8 bus mixer DSP input/output mixer controlled with free TASCAM Control software
- Flexible I/O routing allows any analog, optical or USB audio input to be user-assigned to any output ports
- Up to four aux buses to connect up to four stereo pairs of monitor speakers
- Up to 24-bit/192 kHz recording and playback
- Sampling Frequency : 44.1k / 48k / 88.2k / 96k / 176.4k / 192k Hz
- Mic Amp EIN : -129dBu or lower
- Signal-to-Noise Ratio : MIC/LINE IN 109dB (GAIN knob at minimum, 20k SPCL LPF+A-Weight)
- Crosstalk : 100dB or higher (MIC/LINE IN thru LINE OUT, 1kHz sine wave, Gain knob at minimum)
- Power : DC 12V (AC Adapter PS-P1220E included)
- Power consumption : 14 W
- Dimensions（W×H×D） : 296 × 65 × 160 mm
- Weight : 1.6 kg
- Series 208i
- AC adapter (PS-P1220E) (with 3 alternate plugs)
- USB cable
- Set of DAW software installation guides
- Set of DAW plug-in software installation guides
- Owner's Manual (this document) including warranty
Supreme Audio Fidelity
It all starts with the best sound: TEAC and TASCAM have more than 60 years of high grade audio design experience.
TASCAM Ultra HDDA (High Definition Discrete Architecture) mic preamp circuitry guarantees transparent natural tone with ultra-low noise.
24-bit/192 kHz
The new windows driver also allows to set the minimum size of the audio buffer (from only 4 samples), which results lesser round trip latency with maximum performance, suitable for each computer's configuration.
Expandable input capability to grow into
Easily add more input channels to accommodate future growth by using external microphone preamplifiers with S/MUX optical inputs to record drums, guitars, keyboards, vocals, and more. Each S/MUX optical port can accept up to 20 channels of audio input from an ADAT- or S/MUX-compatible device.
Control Software for Matrix Mixing, Effects Processors, and More
Free, easy-to-use TASCAM Control software (TASCAM SERIES Settings Panel) manages faders, processing, and the ability to route any audio input (analog, optical, and USB) to any audio output.
Built-in DSP Effects and Processing
A DSP input and output mixer is complemented with digital reverb, compressor, phase invert, and 4-band EQ for each channel. Having these processors included internally eliminates all latency issues and takes the load off the computer allowing the Windows / Mac to process the audio more efficiently.
Special versatile bundled software to produce your music from start to finish
TASCAM SERIES audio interfaces are bundled with a series of software that allow full operational coverage: at the core of music production is Steinberg's Cubase LE / Cubasis LE; for instrumental recordings comes IK Multimedia's AmpliTube with guitar/bass modeling and colorful effects; newly added to the bundle is iZotope's redesigned Neutron Elements, which includes 4 powerful tools for creating great mixes; last but not least, IK Multimedia's T-RackS mastering software will finish up users' creations into high quality masterpieces.
* The completely new Neutron Elements includes 4 powerful tools for great mixes for less than the cost of a single plug-in. Learn More
Additional Features
Dual headphone monitoring
Read More
TASCAM house made genuine audio driver and app
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Routing facility for flexible usage
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Software Monitor control for several configurations
Read More
Features at a Glance
- Four transparent, natural-sounding, ultra-low noise TASCAM Ultra HDDA mic preamplifiers
- Two optical S/MUX expansion ports that accept up to 16 channels of audio input (20 total inputs)
- 8 1/4-inch analog line outputs for versatile monitoring and up to 7.1 surround audio
- Built-in effects: reverb, compressor, four-band EQ
- Powerful 8 bus mixer DSP input/output mixer controlled with free TASCAM Control software
- Flexible I/O routing allows any analog, optical or USB audio input to be user-assigned to any output ports
- Up to four aux buses to connect up to four stereo pairs of monitor speakers
- Up to 24-bit/192 kHz recording and playback
- Includes Steinberg DAW software and IK Multimedia world-class guitar effects/modeling and mastering software
- MIDI interface
- Word clock in/out
- Direct monitor option for low latency monitoring
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Spec Description
| Sampling Frequency | 44.1k / 48k / 88.2k / 96k / 176.4k / 192k Hz |
| Quantization Bit Rate | 16 / 24-bit |
| Analog Audio Inputs | |
| MIC IN (Balanced) | 1-4 (when the input switch is set to MIC/LINE) |
| Connector | XLR-3-31 equivalent (1: GND, 2: HOT, 3: COLD) |
| Input Impedance | 1.5kΩ |
| Nominal Input Level | |
| GAIN: MAX | -64dBu (0.0005Vrms) |
| GAIN: MIN | -6dBu (0.388Vrms) |
| Maximum Input Level | +10dBu (2.45Vrms) |
| Gain Range | 58dB |
| INSTRUMENT IN (Unbalanced) | 1-4 (when the input switch is set to INST) |
| Connector | 1/4" (6.3mm) TS jack (Tip: HOT, Sleeve: GND) |
| Input Impedance | 1MΩ or more |
| Nominal Input Level | |
| GAIN: MAX | -64dBV (0.0006Vrms) |
| GAIN: MIN | -6dBV (0.501Vrms) |
| Maximum Input Level | +10dBV (3.162Vrms) |
| Gain Range | 58dB |
| LINE IN (Balanced) | 1-4 (when the input switch is set to MIC/LINE) |
| Connector | 1/4" (6.3mm) TRS jack (Tip: HOT, Ring: COLD, Sleeve: GND) |
| Input Impedance | 10kΩ |
| Nominal Input Level | |
| GAIN: MAX | -54dBu (0.0015Vrms) |
| GAIN: MIN | +4dBu (1.228Vrms) |
| Maximum Input Level | +24dBu (12.282Vrms) |
| Gain Range | 58dB |
| Digital Audio Inputs | |
| OPTICAL IN (S/MUX) | |
| Connector | OPTICAL (JEITA RC-5720C) |
| Signal Format | Multi-channel Optical Format (Supports S/MUX at 88.2k/96k/176.4k/192kHz) |
| Analog Audio Outputs | |
| MONITOR OUT (Balanced) | LINE OUT 1-2 |
| Connector | 1/4" (6.3mm) TRS jack (Tip: HOT, Ring: COLD, Sleeve: GND) |
| Output Impedance | 230Ω |
| Nominal Output Level | +4dBu (1.228Vrms) |
| Maximum Output Level | +20dBu (7.75Vrms) |
| LINE OUT (Balanced) | LINE OUT 3-8 |
| Connector | 1/4" (6.3mm) TRS jack (Tip: HOT, Ring: COLD, Sleeve: GND) |
| Output Impedance | 230Ω |
| Nominal Output Level | +4dBu (1.228Vrms) |
| Maximum Output Level | +20dBu (7.75Vrms) |
| HEADPHONE OUT | PHONES 1-2 |
| Connector | 1/4" (6.3mm) Stereo jack |
| Maximum Output Power | 45mW + 45mW (THD+N 0.1% or less, into 32Ω load) |
| Output impedance | 51.5Ω |
| Working impedance | 16Ω to 600Ω |
| Control Input/Output | |
| USB | |
| Connector | 4-pin, USB B type |
| Format | USB2.0 HIGH SPEED (480Mbps) |
| MIDI IN | |
| Connector | 5-pin, DIN |
| Format | Standard MIDI |
| MIDI OUT | |
| Connector | 5-pin, DIN |
| Format | Standard MIDI |
| WORD IN | |
| Connector | BNC |
| Input Voltage | 2.0Vpp to 5.0Vpp |
| Input Impedance | 75Ω ±10% |
| Frequency Deviation | ±100ppm |
| Terminal ON/OFF Switch | Equipped |
| WORD OUT | |
| Connector | BNC |
| Output Voltage | 2.0Vpp (into 75Ω) |
| Output Impedance | 75Ω ±10% |
| Sampling Frequency | 44.1k / 48k / 88.2k / 96k / 176.4k /192k Hz |
| Power | DC 12V (AC Adapter PS-P1220E included) |
| Power Consumption | 14 W |
| Dimensions (W×H×D) | 11.65" × 2.56" × 6.30" / 296 × 65 × 160 mm |
| Weight | 3.53 lbs. / 1.6 kg |
| Operating Temperature Range | 41 to 95°F / 5 to 35°C |
Audio Performance
| Mic Amp EIN | -129dBu or lower |
| Frequency Response | |
| Fs 44.1k/48kHz | 20Hz to 20kHz, +0/-0.4dB (JEITA) |
| Fs 88.2k/96kHz | 20Hz to 40kHz, +0/-0.8dB (JEITA) |
| Total Harmonic Distortion | |
| MIC IN | 0.0016% (1kHz sine wave, GAIN knob at minimum, 20k SPCL LPF) |
| LINE IN | 0.0023% (1kHz sine wave, GAIN knob at minimum, 20k SPCL LPF) |
| Signal-to-Noise Ratio | |
| MIC/LINE IN | 109dB (GAIN knob at minimum, 20k SPCL LPF+A-Weight) |
| Crosstalk | 100dB or higher (MIC/LINE IN thru LINE OUT, 1kHz sine wave, Gain knob at minimum) |
Computer System Requirements
Windows
| Compatible Computers | Windows computer with a USB2.0 or USB3.0 |
| CPU | Dual core (x86), 2GHz or faster |
| Memory | 2GB or more |
| Driver | USB Audio Class2.0, ASIO2.2 , WDM (MME), MIDI |
Macintosh
| Compatible Computers | Macintosh computer with a USB2.0 or USB3.0 |
| CPU | Dual core, 2GHz or faster |
| Memory | 2GB or more |
| Driver | Core Audio, Core MIDI |
* Verified with Intel and Apple Silicon (M1 and M2) hardware
iOS
| Driver | Core Audio for iPhone |
Information
Update Information
| Latest version info | |
| Settings Panel for Windows | V1.00 |
| Settings Panel for macOS | V1.00 |
| Firmware | V1.02 |
- Stability has been improved when using OPTICAL(S/MUX).
Notices About Products
Documents
Firmware / Software
Compatibility
Compatible OS
Only notarized applications can now be installed on Mac OS Catalina.
Please download again the application installer from the download tab on the respective product page and try installing it again.
Depending on the usage environment, reboot the interface by turning the power off/on again, or disconnect and reconnect the USB cable.
Your device's playback application/software, and playback file frequencies (sampling frequency) may not be matching. Set the frequencies of the playback file and each configuration to be the same, or unify the frequencies of the playback file.